![]() ![]() So in essence, if you look at BEADGCF backwards, you get the order of sharps. You know why? because it’s the same thing, just backwards! Well, the order of sharps can’t be bad if you know the order of flats. That always tripped me up, because F is the only key with flats that doesn’t have the word “flat” in the key. Oh, and say theres one flat, which is bB, then the key is F. We know 3 flats, count over three, B-E-A, move back one to EĪnswer: bB, bE, bA are all in the key of bE We know the number of flats- let’s get what ones they are, and what key signature. Now, it’s important to note (ha) that you can use this order of flats by putting in one element, to receive the other two, ie: – Say we want to write a song in bA major, but we don’t know the flats, or what notes they are.Īnswer: All the notes, including bD, are in the key of bA. Deduce that all the flats from the beginning to the “one over” note are in the key, and count how many there are. This ordering, actually can help you determine a number of things like:ģ. ![]() So let’s learn how to use the order of sharps and flats. But to make the Key signature easier to read, let’s learn the order of sharps and flats shall we? It’s quite simple, and whoopie, it’s got one of those silly ways to remember it. What we do, is look at the KEY SIGNATURE. So, I did promise an easier way to determine how many sharps or flats are used in a song, a section of a song, or a quick riff. ![]()
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